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Про книги. Журнал библиофила. Журнал библиофила про книги

Про книги. Журнал библиофила - WikiVisually

1. Россия – Russia, also officially the Russian Federation, is a country in Eurasia. The European western part of the country is more populated and urbanised than the eastern. Russias capital Moscow is one of the largest cities in the world, other urban centers include Saint Petersburg, Novosibirsk, Yekaterinburg, Nizhny Novgorod. Extending across the entirety of Northern Asia and much of Eastern Europe, Russia spans eleven time zones and incorporates a range of environments. It shares maritime borders with Japan by the Sea of Okhotsk, the East Slavs emerged as a recognizable group in Europe between the 3rd and 8th centuries AD. Founded and ruled by a Varangian warrior elite and their descendants, in 988 it adopted Orthodox Christianity from the Byzantine Empire, beginning the synthesis of Byzantine and Slavic cultures that defined Russian culture for the next millennium. Rus ultimately disintegrated into a number of states, most of the Rus lands were overrun by the Mongol invasion. The Soviet Union played a role in the Allied victory in World War II. The Soviet era saw some of the most significant technological achievements of the 20th century, including the worlds first human-made satellite and the launching of the first humans in space. By the end of 1990, the Soviet Union had the second largest economy, largest standing military in the world. It is governed as a federal semi-presidential republic, the Russian economy ranks as the twelfth largest by nominal GDP and sixth largest by purchasing power parity in 2015. Russias extensive mineral and energy resources are the largest such reserves in the world, making it one of the producers of oil. The country is one of the five recognized nuclear weapons states and possesses the largest stockpile of weapons of mass destruction, Russia is a great power as well as a regional power and has been characterised as a potential superpower. The name Russia is derived from Rus, a state populated mostly by the East Slavs. However, this name became more prominent in the later history, and the country typically was called by its inhabitants Русская Земля. In order to distinguish this state from other states derived from it, it is denoted as Kievan Rus by modern historiography, an old Latin version of the name Rus was Ruthenia, mostly applied to the western and southern regions of Rus that were adjacent to Catholic Europe. The current name of the country, Россия, comes from the Byzantine Greek designation of the Kievan Rus, the standard way to refer to citizens of Russia is Russians in English and rossiyane in Russian. There are two Russian words which are translated into English as Russians

2. Библиофильство – Bibliophilia or bibliophilism is the love of books, and a bibliophile or bookworm is an individual who loves books. The classic bibliophile is one who loves to read, admire and collect books, often amassing a large, Bibliophiles do not necessarily want to possess the books that they love, an alternative would be unusual bindings, autographed copies, etc. The New York Public Library follows the same practice, according to Arthur H. Minters, the private collecting of books was a fashion indulged in by many Romans, including Cicero and Atticus. The term bibliophile entered the English language in 1824, lord Spencer and the Marquess of Blandford were noted bibliophiles. J. P. Morgan was also a noted bibliophile, in 1884, he paid $24,750 for a 1459 edition of the Mainz Psalter. Antiquarian book trade in the United States Book collecting The Book Club of Detroit Caxton Club The Club of Odd Volumes Grolier Club Oxford University Society of Bibliophiles Merriam-Webster, a Gentle Madness, Bibliophiles, Bibliomanes, and the Eternal Passion for Books, Henry Holt and Company, Inc. The love of books, The Philobiblon translated by E. C. Thomas, london, Frances Lincoln ISBN 0-7112-2685-7 Thomas Frognall Dibdin. The Committed Reader, Reading for Utility, Pleasure, and Fulfillment in the Twenty-First Century, forbes article on bibliomania by Finn-Olaf Jones, December 12,2005

3. Сеславинский, Михаил Вадимович – Mikhail Seslavinsky is a Russian public official, researcher in book culture, and a bibliophile. Biography Born February 28,1964 in the city of Dzerzhinsk, from 1986 to 1989, he was a faculty member in the social sciences department at the Dzerzhinsk Branch of Gorky Polytechnic University. In 1990, he was elected deputy of the Russian parliament for Dzerzhinsk District No. 364, as well as to the Gorky Regional Council of Peoples Deputies, as a member of the RSFSR Supreme Council, he was a deputy chairman of the Council’s Commission for Culture. From 1993 to 1998, Seslavinsky served as a member of the State Duma, during this time, he chaired the 1st State Duma Subcommittee for Culture in the Committee for Education, Culture and Science. In the 2nd State Duma he was deputy chairman of the Committee for Culture, in 1998-1999, he headed the Federal Service for Television and Radio Broadcasting. From 1999 to 2004, he served as State Secretary and the First Deputy Minister for Press, Television, Radio Broadcasting, since 2004, he has headed the Federal Agency for Press and Mass Communications. From 2001 to 2003, he was a member of the Board of Directors of Public Russian Television and he is married and has two daughters, born 1994 and 2003. The older daughter Natalia Seslavinskaya has dedicated her career to the book industry, Mikhail Seslavinsky is also a prominent bibliophile and collector of autographs and rare books from early 19th and 20th centuries. He has donated books and manuscripts to state libraries and collections, since February 2011, he has chaired the Council of the National Union of Bibliophiles. He has authored articles on bibliology. Since 2008 Mikhail Seslavinsky has chaired the board of the bibliophile magazine Pro knigi. Selected Illustrated Bibliography and Autographs, and Rare Russian Books of the 20th Century,333 Selected Books, on August 26,2013, Mikhail Seslavinsky joined the Council for the Russian Government Media Award. He has been member of the State Radio Frequency Commission since 2004, Mikhail Seslavinsky chaired the Korney Chukovsky 125th birthday celebration committee and the Lydia Chukovskaya 100th birthday celebration committee. He was Deputy Chairman of the Russian Year of Literature Organizing Committee in 2015, Mikhail Seslavinsky chaired the Organizing Committee for preparing and holding celebrations of Konstantin Simonov’s 100 birthday. Mikhail Seslavinsky chaired the Organizing Committee for preparing and holding celebrations of Osip Mandelstam’s 125th birthday, Mikhail Seslavinsky chaired the Organizing Committees for preparing and holding celebrations of Konstantin Paustovsky’s and Marina Tsvetaeva’s 125th birthdays. He is Deputy Chairman of the Organizing Committee for preparing and holding celebrations of Maxim Gorky’s 150th birthday in 2018 and he is also Deputy Chairman of the Organizing Committee for preparing and holding celebrations of Alexander Solzhenitsyn’s 100th birthday in 2018. He chairs the Organizing Committee for preparing and holding celebrations of Nikolay Nekrasov’s 200th birthday in 2021, Mikhail Seslavinsky holds a Ph. D. in History, and is an Associate Member of the Russian Academy of Arts

4. Басилашвили, Олег Валерианович – Oleg Basilashvili is a well-known Soviet/Russian film and theatre actor, as well as political figure in the former Soviet Union and in the new Russia. Born to a family of mixed Russian, Polish, and Georgian origin, Oleg Valerianovich Basilashvili was born on 26 September 1934 in Moscow, USSR. His father, named Valerian Basilashvili, was a director of the Moscow Polytechnical College and his mother, named Irina Ilyinskaya, was a teacher of linguistics. His father made up a story that his grandfather had once arrested a dangerous criminal, named Dzhugashvili. In reality Basilashvilis maternal grandfather was a Russian orthodox priest and an architect, during the Second World War young Oleg Basilashvili was evacuated from Moscow to the Transcaucasian republic of Georgia. There young Basilashvili went to a school and lived with his paternal grandfather until the end of World War II. In 1956 Oleg Basilashvili graduated from the Acting School of the Moscow Art Theatre and his group was one of the most talented, among his group mates there was Yevgeniy Yevstigneyev, Mikhail Kozakov and Tatiana Doronina, his first wife. He made his debut as a young groom in film Nevesta by director Grigori Nikulin based on a story by Anton Chekhov. Since 1959 Basilashvili has been a permanent member of the troupe at the BDT in St. Petersburg, Oleg Basilashvili shot to fame with his roles in films by director Eldar Ryazanov. They collaborated in such films as Office Romance, Station for Two, Promised Heaven, and Prediction. His most acclaimed role was made in collaboration with director Georgi Daneliya in the remarkable Autumn Marathon. The film is a comedy and melodrama with a bitter humor. Basilashvili co-created a memorable acting ensemble with such actors, as Natalya Gundareva, Evgeni Leonov, Marina Neyolova, the film became a Soviet classic, and was awarded at International film festivals in Berlin and San Sebastián. In the 1980s he appeared in films by Karen Shakhnazarov. Those were Kurer, Gorod Zero, and Sny, dreams, a wild comedy about Perestroika is especially remarkable, in it Basilashvili tried on several images, those of a noble count from the past, a pornographer and a rock star. In 2001 Oleg Basilashvili starred in Karen Shakhnazarovs comedy Yady, ili vsemirnaya istoriya otravleniy, the actor performed both as pensioner Prohorov and the Pope Alexander VI Borgia in it. Oleg Basilashvili was a proponent of returning the original name to the city of St. Petersburg. He quit politics after 2000, and focused on his acting career, in his own words, Basilashvili played the character of Woland in resemblance of an authoritarian and manipulative bureaucrat, alluding to a Soviet-era dictator

5. Блок, Александр Александрович – Alexander Alexandrovich Blok was a Russian lyrical poet. Blok was born in Saint Petersburg, into a sophisticated and intellectual family, some of his relatives were literary men, his father being a law professor in Warsaw, and his maternal grandfather the rector of Saint Petersburg State University. These influences would affect his early publications, later collected in the book Ante Lucem, in 1903 he married the actress Lyubov Dmitrievna Mendeleeva, daughter of the renowned chemist Dmitri Mendeleev. Later, she would involve him in a complicated relationship with his fellow Symbolist Andrei Bely. To Lyuba he dedicated a cycle of poetry made him famous. During the last period of his life, Blok emphasised political themes, influenced by Solovyovs doctrines, he had vague apocalyptic apprehensions and often vacillated between hope and despair. I feel that an event was coming, but what it was exactly was not revealed to me. Quite unexpectedly for most of his admirers, he accepted the October Revolution as the resolution of these apocalyptic yearnings. According to Orlando Figes he was present at the interrogation. By 1921 Blok had become disillusioned with the Russian Revolution and he did not write any poetry for three years. He complained to Maksim Gorky that his faith in the wisdom of humanity had ended, cant you hear that there are no longer any sounds. Within a few days Blok became sick and his doctors requested that he be sent abroad for medical treatment, but he was not allowed to leave the country. On 29 May 1921, he wrote to Anatoly Lunacharsky, Blok is Russias finest poet, if you forbid him to go abroad, and he dies, you and your comrades will be guilty of his death. A resolution on departure for Block was signed by members of the Political Bureau of the Central Committee on 23 July 1921, but on 29 July Gorky asked permission for Bloks wife to accompany him, since Bloks health status had deteriorated sharply. Blok to leave Russia was signed by Molotov on 1 August 1921, the permission was delivered on 10 August, after Blok had already died. Several months earlier, Blok had delivered a lecture on Alexander Pushkin. The idealized mystical images presented in his first book helped establish Blok as a poet of the Russian Symbolism style. Bloks early verse is musical, but he sought to introduce daring rhythmic patterns

6. Гоголь, Николай Васильевич – Nikolai Vasilievich Gogol was a Russian dramatist of Ukrainian origin. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing and his later writing satirised political corruption in the Russian Empire. Gogol was born in the Ukrainian Cossack village of Sorochyntsi, in Poltava Governorate of the Russian Empire and his mother descended from Leonty Kosyarovsky, an officer of the Lubny Regiment in 1710. As was typical of the left-bank Ukrainian gentry of the nineteenth century. As a child, Gogol helped stage Ukrainian-language plays in his uncles home theater, in 1820, Gogol went to a school of higher art in Nezhin and remained there until 1828. It was there that he began writing and he was not popular among his schoolmates, who called him their mysterious dwarf, but with two or three of them he formed lasting friendships. Very early he developed a dark and secretive disposition, marked by a painful self-consciousness and boundless ambition, equally early he developed a talent for mimicry, which later made him a matchless reader of his own works and induced him to toy with the idea of becoming an actor. In 1828, on leaving school, Gogol came to Saint Petersburg, full of vague and he had hoped for literary fame, and brought with him a Romantic poem of German idyllic life – Hans Küchelgarten. He had it published, at his own expense, under the name of V. Alov, the magazines he sent it to almost universally derided it. He bought all the copies and destroyed them, swearing never to write poetry again, Gogol was in touch with the literary aristocracy, had a story published in Anton Delvigs Northern Flowers, was taken up by Vasily Zhukovsky and Pyotr Pletnyov, and was introduced to Pushkin. In 1831 Gogol brought out the first volume of his Ukrainian stories and he followed it in 1832 with a second volume, and in 1835 by two volumes of stories entitled Mirgorod, as well as by two volumes of miscellaneous prose entitled Arabesques. However, Gogols satire was much more sophisticated and unconventional, at this time, Gogol developed a passion for Ukrainian history and tried to obtain an appointment to the history department at Kiev University. Despite the support of Pushkin and Sergey Uvarov, the Russian minister of education and his fictional story Taras Bulba, based on the history of Ukrainian cossacks, was the result of this phase in his interests. During this time he developed a close and lifelong friendship with another Ukrainian. In 1834 Gogol was made Professor of Medieval History at the University of St. Petersburg and he turned in a performance ludicrous enough to warrant satiric treatment in one of his own stories. At the final examination, he sat in silence with a black handkerchief wrapped around his head, simulating a toothache. This academic venture proved a failure and he resigned his chair in 1835, during this time, the Russian critics Stepan Shevyrev and Vissarion Belinsky, contradicting earlier critics, reclassified Gogol from a Ukrainian to a Russian writer. It was only after the presentation at the Saint Petersburg State Theatre, on 19 April 1836, the comedy, a violent satire of Russian provincial bureaucracy, was staged thanks only to the intervention of the emperor, Nicholas I

7. Гумилёв, Николай Степанович – Nikolay Stepanovich Gumilyov was an influential Russian poet, literary critic, traveler, and military officer. He was the cofounder of the Acmeist movement, Nikolay Gumilev was arrested and executed by the Cheka, the secret Soviet police force in 1921. Nikolay was born in the town of Kronstadt on Kotlin Island, into the family of Stepan Yakovlevich Gumilyov, a naval physician and his childhood nickname was Montigomo, the Hawks Claw. He studied at the gymnasium of Tsarskoe Selo, where the Symbolist poet Innokenty Annensky was his teacher, later, Gumilyov admitted that it was Annenskys influence that turned his mind to writing poetry. His first publication were verses I ran from cities into the forest on September 8,1902, in 1905 he published his first book of lyrics entitled The Way of Conquistadors. It comprised poems on most exotic subjects imaginable, from Lake Chad giraffes to Caracallas crocodiles, although Gumilyov was proud of the book, most critics found his technique sloppy, later he would refer to that collection as apprentices work. From 1907 and on, Nikolai Gumilyov traveled extensively in Europe, notably in Italy, in 1908 his new collection Romantic Flowers appeared. While in Paris, he published the literary magazine Sirius, on returning to Russia, he edited and contributed to the artistic periodical Apollon. At that period, he fell in love with a non-existent woman Cherubina de Gabriak, Gumilev married Anna Akhmatova in April 25,1910. He dedicated some of his poems to her, on September 18,1912, their child Lev was born. He would eventually become an influential and controversial historian, like Flaubert and Rimbaud before him, but inspired by exploits of Alexander Bulatovich and Nikolay Leontiev, Gumilyov was fascinated with Africa and travelled there almost each year. He explored, helping development of Ethiopia, sometime hunted lions and his wife Akhmatova accompanied him to Ivanovs parties as well. They advocated a view that poetry needs craftsmanship just like architecture needs it, writing a good poem they compared to building a cathedral. To illustrate their ideals, Gumilev published two collections, The Pearls in 1910 and the Alien Sky in 1912 and it was Osip Mandelstam, however, who produced the movements most distinctive and durable monument, the collection of poems entitled Stone. According to the principles of acmeism, every person, irrespective of his talent, may learn to produce high-quality poems if only he follows the guilds masters, i. e. Gumilyov and Gorodetsky. Their own model was Théophile Gautier, and they borrowed much of their basic tenets from the French Parnasse, such a program, combined with colourful and exotic subject matter of Gumilevs poems, attracted to the Guild a large number of adolescents. Several major poets, notably Georgy Ivanov and Vladimir Nabokov, passed the school of Gumilev, when World War I started, Gumilyov hastened to Russia and enthusiastically joined a corps of elite cavalry. He fought in battles in East Prussia and Macedonia, for his bravery he was invested with two St. George crosses

8. Отечественная война 1812 года – Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia, Napoleon named the campaign the Second Polish War to gain favor with the Poles and provide a political pretext for his actions. The Grande Armée was a large force, numbering 680,000 soldiers. Napoleon hoped the battle would mean an end of the march into Russia, plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. As the Russian army fell back, Cossacks were given the task of burning villages, towns and this was intended to deny the invaders the option of living off the land. The actions forced the French to rely on a system that was incapable of feeding the large army in the field. Starvation and privation compelled French soldiers to leave their camps at night in search of food and these men were frequently confronted by parties of Cossacks, who captured or killed them. The Russian army retreated into Russia for almost three months, the continual retreat and the loss of lands to the French upset the Russian nobility. They pressured Alexander I to relieve the commander of the Russian army, Alexander I complied, appointing an old veteran, Prince Mikhail Kutuzov, to take over command of the army. However, for two more weeks Kutuzov continued to retreat as his predecessor had done, on 7 September, the French caught up with the Russian army which had dug itself in on hillsides before a small town called Borodino, seventy miles west of Moscow. The battle that followed was the bloodiest single-day action of the Napoleonic Wars until that point, involving more than 250,000 soldiers, the French gained a tactical victory, but at the cost of 49 general officers and thousands of men. The Russian army was able to extricate itself and withdrew the following day, Napoleon entered Moscow a week later. In another turn of events the French found puzzling, there was no delegation to meet the Emperor, the Russians had evacuated the city, and the citys governor, Count Fyodor Rostopchin, ordered several strategic points in Moscow set ablaze. Napoleons hopes had been set upon an end to his campaign. The loss of Moscow did not compel Alexander I to sue for peace, Napoleon stayed on in Moscow looking to negotiate a peace, his hopes fed in part by a disinformation campaign informing the Emperor of supposed discontent and fading morale in the Russian camp. After staying a month Napoleon moved his army out southwest toward Kaluga, the French advance toward Kaluga was checked by a Russian corps. Napoleon tried once more to engage the Russian army for an action at the Battle of Maloyaroslavets. Despite holding a position, the Russians retreated following a sharp engagement

9. Российская государственная библиотека – Not to be confused with the Russian National Library - metro station The Russian State Library is the national library of Russia, located in Moscow. It is the largest in the country and the fourth largest in the world for its collection of books, lenin State Library of the USSR from 1925 until it was renamed in 1992 as the Russian State Library. There are items in 247 languages of the world, the part representing about 29 percent of the entire collection. The library was founded on July 1,1862, as Moscows first free public library named The Library of the Moscow Public Museum and Rumiantsev Museum and its donation covered above all books and manuscripts as well as an extensive numismatic and an ethnographic collection. These, as well as approximately 200 paintings and more than 20,000 prints, tsar Alexander II of Russia donated the painting The Appearance of Christ before the People by Alexander Andreyevich Ivanov for the opening of the museum. After the October Revolution the contents again grew enormously, and again lack of space became an urgent problem, therefore, it was decided in 1925 to dissolve the Rumyantsev Museum and to spread its collections over other museums and institutions in the country. Part of the collections, in particular the Western European art, Pashkov House was renamed the Old Building of the Russian State Library. The old state archive building on the corner of Mokhovaya and Vozdvizhenka Streets was razed and replaced by the new buildings, construction of the first stage, designed by Vladimir Shchuko and Vladimir Gelfreikh in 1927–1929, was authorized in 1929 and commenced in 1930. The first stage was complete in 1941. In the process, the acquired the modernized neoclassicism exterior features of the Palace of Soviets. The last component of Shchukos plan, a 250-seat reading hall, was opened in 1945, the first stage of Khimki library was complete in 1975. In 1925 the complex was renamed the V. I, lenin State Library of the USSR. In 1992, it was renamed the Russian State Library by order of a decree from President Boris Yeltsin, edward Kasinec, A Soviet Research Library Remembered, Libraries & Culture, vol. Official website Satellite image of the Russian State Library, centered on the main entrance Made in Russia, Russian State Library

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Про книги. Журнал библиофила Вики

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Про книги. Журнал библиофила

научно-популярный
4 раза в год
русский
Россия Россия
2007
140 - 170 полос
500 - 2000
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«Про книги. Журнал библиофила» — ежеквартальный иллюстрированный научно-популярный журнал, издаваемый в России и посвящённый старинным книгам, их изучению, а также вопросам истории библиофильства и проблемам книжного собирательства.

История создания[ | код]

Был задуман как преемник традиций библиофильской периодики начала XX века. Его предшественниками считаются журналы, издаваемые книготорговцем и коллекционером Н. В. Соловьевым, «Антиквар» (1902—1903) и «Русский библиофил» (1911—1916).

Редакционно-издательский совет журнала с 2008 года возглавляет председатель Национального союза библиофилов, глава Федерального агентства по печати и массовым коммуникациям М.В. Сеславинский.

Содержание журнала[ | код]

Сегодня журнал «Про книги» можно по праву считать настоящей энциклопедией библиофильской жизни XXI века[1][2]. В каждом номере публикуются статьи о редких книгах, выпущенных как в России, так и за рубежом, уникальные архивные материалы, обзоры результатов московских аукционов и торгов русскими книгами на аукционах Европы и США, «библиофильские прогулки» по различным городам мира (Одесса, Флоренция, Берлин, Париж, Женева, Лондон, Оттава, Барселона). На страницах журнала нашёл своё отражение жанр «портреты библиофилов и любителей книжной старины»: интервью с литературоведом и библиографом Л. М. Турчинским, французским библиофилом Ренэ Герра, художником-графиком Д. Ю. Беккером, выдающимся российским математиком, известным библиофилом М.И. Башмаковым[3], фрагменты из воспоминаний народного артиста СССР О. В. Басилашвили[4] мемуары сибирского библиофила Б. Н. Варавы, воспоминания о советском артисте и библиофиле Н. П. Смирнове-Сокольском, библиографе и издателе П. А. Ефремове[5], художнике книги Ф.С. Рожанковском[6].

Периодически выходят тематические номера, отражающие важные события в книжной культуре России, среди которых 130-летие со дня рождения А. А. Блока (2010. № 3), 200-летие со дня рождения Н. В. Гоголя (2009. № 1), а также выпуски, посвящённые памяти Н. С. Гумилева (2011. № 4)[7] и Н. П. Смирнова-Сокольского (2012. № 1)[8], 200-летию Отечественной войны 1812 года (2012, № 3).

Авторами статей выступают члены Национального союза библиофилов, ведущие сотрудники российских библиотек (РГБ, РНБ), музеев, галерей, искусствоведы, историки книги, а также практики антикварно-букинистической торговли. Среди них учёный-книговед Е.Л. Немировский, библиофил А.Л. Финкельштейн, литературовед, исследователь русского футуризма А.Е. Парнис, классик отечественного графического дизайна, искусствовед В.Г. Кричевский. С журналом сотрудничают один из ведущих российских книжных графиков И.А. Сакуров и известный отечественный художник комикса А.Р. Аёшин.

Неподдельный интерес читателей вызвали опубликованные в журнале библиофильские анекдоты[9], проиллюстрированные замечательной российской художницей И.А. Дмитренко, и библиофильский комикс "Месть московского библиофила" (сценарий М.В. Сеславинского, рисунки А.Р. Аёшина)[10].

Медаль "За личный вклад в развитие отечественного библиофильства имени Н.П. Смирнова-Сокольского"[ | код]

Совместно с Национальным союзом библиофилов журнал "Про книги" является учредителем медали "За личный вклад в развитие отечественного библиофильства имени Н.П. Смирнова-Сокольского". Медалью награждаются лица, внесшие большой вклад в пропаганду и развитие библиофильского движения в Российской Федерации.

Медальер В.Б. Ананьин создал настольную медаль по эскизу художника М.А. Иванова. Изготовлена медаль из томпака с серебрением в количестве 10 экземпляров. В комплекте награждённым вручается и фрачный серебряный с выборочным золочением значок[11].

Медалью были награждены выдающиеся библиофилы О.Г. Ласунский (Воронеж), В.А. Петрицкий (Санкт-Петербург), Л.И. Чертков (Москва)(2013 год), Я.И.Бердичевский (Берлин) (2014 год).

Журнал в филателии[ | код]

К пятилетию журнала издательским центром «Марка» был выпущен художественный маркированный конверт, церемония гашения которого состоялась 5 сентября в рамках 25-й Московской международной книжной выставки-ярмарки.

Дизайн конверта был разработан О. Прядкиной. Тираж составил 500 тысяч экземпляров[12].

Примечания[ | код]

Литература[ | код]

Лавренова А.Ю. Журнал «Про книги». К юбилею издания // Университетская книга. — 2012. — Июнь.
Назаревская Н. Про книги: Удивительный дух книжной страсти // Среди коллекционеров. – 2011. - № 3.
"Про книги" // Большая Российская энциклопедия. Т. 27. 2014. С. 538.
Сафронова К.В. «Про книги». Журнал библиофила // Библио-Глобус. Книжный дайджест. — 2012. — № 06-07.
Чистяков С.С. Журнал «Про книги». Роль периодического издания библиофильского толка в сохранении книжной культуры и традиций книжного собирательства // 150 лет на службе науки и просвещения: сборник материалов Юбилейной международной научной конференции, Москва, 5–6 декабря 2013 г. М., 2014.
Энциклопедия библиофильской жизни XXI века // Литературная газета. — 2012. — № 23-24.
Энциклопедия библиофильской жизни. Журналу «Про книги» в мае исполняется пять лет // Книжное обозрение. — 2012. — № 378.

Ссылки[ | код]

Официальный сайт «Про книги. Журнал библиофила»

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Про книги. Журнал библиофила — Википедия

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Про книги. Журнал библиофила

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4 раза в год
русский
Россия Россия
2007
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500 - 2000
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Про книги. Журнал библиофила

научно-популярный Периодичность:

4 раза в год

Язык:

русский

Страна:

Россия Россия

Дата основания:

2007

Объём:

140 - 170 полос

Тираж:

2000

Веб-сайт:

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«Про книги Журнал библиофила» — ежеквартальный иллюстрированный научно-популярный журнал, издаваемый в России и посвященный старинным книгам, их изучению, а также вопросам истории библиофильства и проблемам книжного собирательства

Содержание

1 История создания
2 Содержание журнала
3 Медаль "За личный вклад в развитие отечественного библиофильства имени НП Смирнова-Сокольского"
4 Журнал в филателии
5 Примечания
6 Литература
7 Ссылки

История созданияправить

Был задуман как преемник традиций библиофильской периодики начала XX века Его предшественниками считаются журналы, издаваемые книготорговцем и коллекционером Н В Соловьевым, «Антиквар» 1902—1903 и «Русский библиофил» 1911—1916

Содержание журналаправить

Сегодня журнал «Про книги» можно по праву считать настоящей энциклопедией библиофильской жизни ХХI века12 В каждом номере публикуются статьи о редких книгах, выпущенных как в России, так и за рубежом, уникальные архивные материалы, обзоры результатов московских аукционов и торгов русскими книгами на аукционах Европы и США, «библиофильские прогулки» по различным городам мира Одесса, Флоренция, Берлин, Париж, Женева, Лондон, Оттава, Барселона На страницах журнала нашел своё отражение жанр «портреты библиофилов и любителей книжной старины»: интервью с литературоведом и библиографом Л М Турчинским, французским библиофилом Ренэ Герра, художником-графиком Д Ю Беккером, выдающимся российским математиком, известным библиофилом МИ Башмаковым3, фрагменты из воспоминаний народного артиста СССР О В Басилашвили4 мемуары сибирского библиофила Б Н Варавы, воспоминания о советском артисте и библиофиле Н П Смирнове-Сокольском, библиографе и издателе П А Ефремове5, художнике книги ФС Рожанковском6

Периодически выходят тематические номера, отражающие важные события в книжной культуре России, среди которых 130-летие со дня рождения А А Блока 2010 № 3, 200-летие со дня рождения Н В Гоголя 2009 № 1, а также выпуски, посвященные памяти Н С Гумилева 2011 № 47 и Н П Смирнова-Сокольского 2012 № 18, 200-летию Отечественной войны 1812 года 2012, № 3

Авторами статей выступают члены Национального союза библиофилов, ведущие сотрудники российских библиотек РГБ, РНБ, музеев, галерей, искусствоведы, историки книги, а также практики антикварно-букинистической торговли Среди них ученый-книговед ЕЛ Немировский, библиофил АЛ Финкельштейн, литературовед, исследователь русского футуризма АЕ Парнис, классик отечественного графического дизайна, искусствовед ВГ Кричевский С журналом сотрудничают один из ведущих российских книжных графиков ИА Сакуров и известный отечественный художник комикса АР Аёшин

Неподдельный интерес читателей вызвали опубликованные в журнале библиофильские анекдоты9, проиллюстрированные замечательной российской художницей ИА Дмитренко, и библиофильский комикс "Месть московского библиофила" сценарий МВ Сеславинского, рисунки АР Аёшина10

Медаль "За личный вклад в развитие отечественного библиофильства имени НП Смирнова-Сокольского"править

Совместно с Национальным союзом библиофилов журнал "Про книги" является учредителем медали "За личный вклад в развитие отечественного библиофильства имени НП Смирнова-Сокольского" Медалью награждаются лица, внесшие большой вклад в пропаганду и развитие библиофильского движения в Российской Федерации

Медальер ВБ Ананьин создал настольную медаль по эскизу художника МА Иванова Изготовлена медаль из томпака с серебрением в количестве 10 экземпляров В комплекте награждённым вручается и фрачный серебряный с выборочным золочением значок11

Медалью были награждены выдающиеся библиофилы ОГ Ласунский Воронеж, ВА Петрицкий Санкт-Петербург, ЛИ Чертков Москва2013 год, ЯИБердичевский Берлин 2014 год

Журнал в филателииправить

Дизайн конверта был разработан О Прядкиной Тираж составил 500 тысяч экземпляров12

Примечанияправить

↑ Энциклопедия библиофильской жизни Журналу «Про книги» в мае исполняется пять лет // Книжное обозрение — 2012 — № 378
↑ Назаревская Н Про книги: Удивительный дух книжной страсти // Среди коллекционеров – 2011 - № 3
↑ "Всегда есть книги, которые остаются мечтой" Интервью с МИ Башмаковым // Про книги Журнал библиофила — 2013 — № 3 — С 28 - 35
↑ Басилашвили, О В Неужели это я! Господи… — М: Эксмо, 2012 — 432 с — ISBN 978-5-699-53704-4
↑ Энциклопедия библиофильской жизни XXI века // Литературная газета — 2012 — № 23-24
↑ Сеславинский МВ Художник книги Федор Рожанковский // Про книги Журнал библиофила — 2013 — № 1 — С 6 - 22
↑ Лавренова, А Ю Журнал «Про книги» К юбилею издания // Университетская книга — 2012 — Июнь
↑ Сафронова, К В «Про книги» Журнал библиофила // Библио-Глобус Книжный дайджест — 2012 — № 06-07
↑ Библиофильские анекдоты // Про книги Журнал библиофила — 2013 — № 1 — С 132 - 143
↑ Сеславинский МВ, Аешин АР Месть московского библиофила // Про книги Журнал библиофила — 2013 — № 4 — С 134 - 141
↑ Изготовлена медаль «За личный вклад в развитие отечественного библиофильства имени НП Смирнова-Сокольского» Национальный союз библиофилов
↑ Церемония гашения почтового конверта Союза библиофилов прошла на ММКВЯ РИА Новости, 2012 5 сентября

Литератураправить

Лавренова АЮ Журнал «Про книги» К юбилею издания // Университетская книга — 2012 — Июнь
Назаревская Н Про книги: Удивительный дух книжной страсти // Среди коллекционеров – 2011 - № 3
"Про книги" // Большая Российская энциклопедия Т 27 2014 С 538
Сафронова КВ «Про книги» Журнал библиофила // Библио-Глобус Книжный дайджест — 2012 — № 06-07
Чистяков СС Журнал «Про книги» Роль периодического издания библиофильского толка в сохранении книжной культуры и традиций книжного собирательства // 150 лет на службе науки и просвещения: сборник материалов Юбилейной международной научной конференции, Москва, 5–6 декабря 2013 г М, 2014
Энциклопедия библиофильской жизни XXI века // Литературная газета — 2012 — № 23-24
Энциклопедия библиофильской жизни Журналу «Про книги» в мае исполняется пять лет // Книжное обозрение — 2012 — № 378

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СпециализацияПериодичностьЯзыкСтранаДата основанияОбъёмТиражВеб-сайт

Про книги. Журнал библиофила

научно-популярный
4 раза в год
русский
Россия Россия
2007
140 - 170 полос
500 - 2000
aboutbooks.ru

Медаль "За личный вклад в развитие отечественного библиофильства имени Н.П. Смирнова-Сокольского"[править | править код]

Дизайн конверта был разработан О. Прядкиной. Тираж составил 500 тысяч экземпляров[12].

Лавренова А.Ю. Журнал «Про книги». К юбилею издания // Университетская книга. — 2012. — Июнь.
Назаревская Н. Про книги: Удивительный дух книжной страсти // Среди коллекционеров. – 2011. - № 3.
"Про книги" // Большая Российская энциклопедия. Т. 27. 2014. С. 538.
Сафронова К.В. «Про книги». Журнал библиофила // Библио-Глобус. Книжный дайджест. — 2012. — № 06-07.
Чистяков С.С. Журнал «Про книги». Роль периодического издания библиофильского толка в сохранении книжной культуры и традиций книжного собирательства // 150 лет на службе науки и просвещения: сборник материалов Юбилейной международной научной конференции, Москва, 5–6 декабря 2013 г. М., 2014.
Энциклопедия библиофильской жизни XXI века // Литературная газета. — 2012. — № 23-24.
Энциклопедия библиофильской жизни. Журналу «Про книги» в мае исполняется пять лет // Книжное обозрение. — 2012. — № 378.

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